Kenneth Rexroth Rexroth, Kenneth (Vol. 6) - Essay - eNotes.com.
The essays Charles Lamb wrote for London Magazine in the early 1820’s, which were collected in the Essays of Elia and Last Essays of Elia, mark the acme of his literary achievement and are an.
Rexroth (1905-1982) saw the modern poet as the enemy of the privileged and the powerful, since poetry is disruptive to rigid systems and ideas. In these pieces, he finds ties between Dylan Thomas's lyrics and Charlie Parker's saxophone solos, reads D. H. Lawrence's free verse as an odyssey of personal salvation and portrays Rimbaud as a capitalist adventurer.
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Essays of Elia is a collection of essays written by Charles Lamb; it was first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833 by the publisher Edward Moxon. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825.
Four lines of poetry, then, led Rexroth—as similar lines led Pound, Eliot, Joyce, Aldington, H.D.—to the recovery of Greece and the ancient past of the modern mind. It is a blessing that four lines were enough, for Kenneth Rexroth and his anonymous friend, although they would not have known it in 1920, had only a small portion of the complete.
LibriVox recording of The Last Essays of Elia by Charles Lamb. Read in English by Tony Addison Discursive ramblings of a generous mind, no-one would know from Lamb's conversational button-holing of you and telling you whatever is on his mind that his sister had killed their mother and he had spent his life looking after her; had collaborated with her, in fact, on their Tales From Shakespeare.
Reviewing a retrospective exhibition of Mark Tobey's paintings in 1951, Kenneth Rexroth sketched as evocative a portrait of his own homegrown auto-didacticism as exists in any of his poems, essays, or autobiographical works.